As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying “drop-out factories” and “academic sinkholes,” methodically dissecting the system and its seemingly intractable problems. Oscar winning filmmaker Davis Guggenheim reminds us that education “statistics” have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of Waiting for Superman. Despite increased spending and politicians’ promises, our buckling public-education system, once the best in the world, routinely forsakes the education of millions of children. Before the season is over, she has to cope with her emotions and her parents have to learn to love her as their own daughter.įor a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Slowly, Frida realizes that she is there to stay and has to adapt to the new environment. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring them moments of happiness.
Yet, the family does what it can to achieve a fragile new balance and bring normality to their life. Often, Frida is naively convinced that running away would be the best solution to her problems. She now has a little sister for whom she has to take care of and has to deal with new feelings, such as jealousy. The country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious and estranging. In the summer 1993, following the death of her parents, six years old Frida moves from Barcelona to the Catalan province to live with her aunt and uncle, who are now her new legal guardians.
POKO DISCOVERY KIDS JA FULL
An unprecedented exploration of the moving image and a film of uncommon intimacy, Hell and Back Again comes full circle as it lays bare the true cost of war. The two realities seamlessly intertwine to communicate both the extraordinary drama of war and, for a generation of soldiers, the no-less-difficult experience of returning home. With the love and support of his wife, Ashley, Harris struggles to overcome the difficulties of transitioning back to civilian life. When Sergeant Harris returns home to North Carolina after a life-threatening injury in battle, the film evolves from stunning war reportage to the story of one man’s personal apocalypse. Embedded in Echo Company during the assault, photojournalist and filmmaker Danfung Dennis captures the frontline action with visceral immediacy. Within hours of being dropped deep behind enemy lines, 25-year-old Sergeant Nathan Harris’s unit is attacked from all sides. Marines launched a major helicopter assault on a Taliban stronghold in southern Afghanistan. With Isherwood’s status as an out-and-proud gay maverick, and Bachardy’s eventual artistic triumph away from the considerable shadow of his life partner, Chris & Don: A Love Story is above all a joyful celebration of a most extraordinary couple. Auden, Igor Stravinsky and Tennessee Williams), reenactments, and, most sweetly, whimsical animations based on the cat-and-horse cartoons the pair used in their personal correspondence.
Bachardy’s contemporary reminiscences (in the Santa Monica home he shared with Isherwood until his death in 1986) artfully interact with archival footage, rare home movies (with glimpses of glitterati pals W.H. From Isherwood’s Kit-Kat-Club years in Weimar-era Germany (the inspiration for his most famous work) to the couple’s first meeting on the sun-kissed beaches of 1950s Malibu, their against-all-odds saga is brought to dazzling life by a treasure trove of multimedia. Chris & Don: A Love Story is the true-life story of the passionate three-decade relationship between British writer Christopher Isherwood and American portrait painter Don Bachardy, thirty years his junior.
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